My Cameras & Why I Shoot Sony
My cameras why I shoot Sony is a story that begins long before digital photography existed. My photographic journey
started with an analog King Regula Picca, a camera that belonged to my father. I still own it today,
and from time to time I still shoot with it. This simple mechanical camera taught me patience, discipline, and the
magic of creating an image without seeing the result immediately. It shaped the foundation of how I see light and
composition today.
Discovering Photography in Germany
When my family moved to Germany in the early 1990s, we bought a
Minolta Dynax 5xi
with a Minolta AF Zoom 24–70mm. For a twelve‑year‑old discovering photography, it felt like a door opening into a new world.
During those years, I experimented with many analog viewfinder cameras and learned how lenses, film types, and lighting
conditions shaped the final image. These early experiences helped me understand photography in a natural and intuitive way.
The Minolta Years
In the early 2000s, I bought the
Minolta Dynax 7,
one of the best film cameras Minolta ever produced. I paired it with the Minolta AF 35mm f/2.0 and the legendary
Minolta AF 70–210mm f/4, a lens I still enjoy using today. These tools taught me to slow down, observe, and wait for
the right moment. They shaped my understanding of color, contrast, and natural light — elements that still define my
fine‑art photography.
My first digital step was the
Minolta Dynax 7D,
followed by various Sigma and Tamron lenses. It was an exciting transition, but also the beginning of the end for Minolta.
Switching to Sony
When Minolta left the camera market, I needed a new system. Sony was the natural choice, continuing the A‑mount legacy.
My first Sony was the
Sony Alpha 77,
fast, reliable, and modern. It opened the door to digital photography in a way that felt familiar yet exciting.
A few years later, I bought one of my all‑time favorite cameras: the
Sony Alpha 99.
It combined everything I loved about Minolta with Sony’s innovation — color science, ergonomics, dynamic range, and the
feeling of holding a true photographer’s camera.
Over the years, my cameras have not only been tools but also companions that shaped how I observe the world. Each system
taught me something different: Minolta helped me understand the emotional side of photography, while Sony pushed me into
a more technical and precise direction. The transition from film to digital also changed the way I approached composition
and timing. With digital sensors, I could experiment more freely, refine my style, and explore new subjects such as urban
moods, long exposures, and fine‑art landscapes. This evolution is a major part of my cameras why I shoot Sony, because
every step in this journey influenced the way I create images today.
Today – Sony Alpha 7R II
Today I work with the
Sony Alpha 7R II,
a camera that still delivers outstanding image quality. Its dynamic range, color depth, and low‑light performance allow
me to create the fine‑art landscapes, urban moods, and nature scenes that define my style. Understanding my cameras and
why I shoot Sony helps explain how my visual language developed over the years.
- reliability
- beautiful color science
- excellent sensors
- compatibility with my Minolta heritage
- freedom to work in any light
For me, Sony is not just a brand — it is the continuation of a journey that began with my father’s analog camera.
This page explains my cameras, why I shoot Sony, and how each model shaped my artistic approach.